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The best place to find advice, analysis, and information on demo reel services Los Angeles, whether for actors, singers, dancers, journalists, or anyone else with an interest in promoting themselves.
The latest reel from yours truly is a streamlined, beautiful example of what happens when an actress walks on set knowing her lines and emotions. Check out the two scenes I shot for Catherine below:
Show Off Your Chops!
I have a confession, I am a little bit of a control freak. I have a plan for everything including where I want to be in five years as well as thirty minutes from now. I understand that life has a plan of its own, but a general guideline can’t hurt. Then, there are those moments when life runs its own course. It can be frustrating, but those are the moments when you have to remember how far you’ve come.
I moved to California with my dad when I was 17. I knew I wanted to pursue acting and dance, but I had no idea where to begin or what kind of business I was getting myself into. I didn’t know anybody, didn’t know my way around, and certainly didn’t know anyone “in the biz”. It’s kind of sad, but I didn't even know what a headshot was. Information and the internet wasn’t as awesome as it is now.
I eventually enrolled in a theater class at my local college. That is, after I found out where it was and after I had my dad drive to the school to sign all my consent papers. I was still a minor at the time. That was essentially my first taste of acting. I’m sure I was horrible and “green”, but it was a great place to start. I needed some time to adjust to life out of high school and in a new town. My first friend here in CA was Gian Molina. I met him in class of course. He was the one who told me where to start- head shots, LA Casting, Actors Access, etc... He was great, because a lot of people don't want to share information, so this was definitely appreciated. So if you're reading this and have any questions, feel free to ask. I'll do my best to pay it forward.
Years down the road, I’ve been a part of many short films, music videos, a few commercials, a tv show, danced at Disney Land, danced in China, did a stunt show at Knotts Berry Farm, got my SAG/Aftra eligibility, and now I am producing my own projects. Yes, I even learned to write, shoot, and edit. I’m not Kathryn Bigelow yet, but man have I come far.
At least at the end of the day, I know that I am making progress. I definitely feel stuck some time, but when I look at the big picture, I know things are moving along.
*Photos are from my very first head shot session. Had to go and find them online. Just imagine this head shot in black and white. That's what it was. So yeah, I can definitely say I've come a long way*
Here’s The First Thing You Should Do When You Move to LA
Whether you’re a college grad moving out to LA for the first time, or an acting veteran looking to break into a new corner of the industry, you’re going to receive a lot of conflicting advice on how to get your foot in the door.
Maybe you’ll do what your college recommends and get an unpaid internship. Maybe you’ll sign up for a highly-rated acting class with a world-renowned teacher. Maybe you’ll pull all of your friends together and max out your credit cards on an independent web series.
Those ideas have worked for some people, and maybe they’ll work for you. But if you really want to guarantee yourself an ongoing chance at success — not just a one-time gamble — here’s the first thing you should do: Start a business.
Why a business? Why not just a “project”?
When I moved out to LA in 2008, I was a naive film school grad with no idea how to make a living in the industry. My college had taught me how to load a camera and cut film on an old-fashioned editing machine, but they hadn’t shown me how to apply those skills to make a living. In fact, many of those skills were already obsolete.
I sunk a lot of time and money into projects that I thought would bring me success at film festivals or on Youtube, and after my first year in LA, I was flat broke.
If I wasn’t going to get my big break, I thought, I could do the next best thing and become a freelancer. I had a camera and a copy of Final Cut Pro — how hard could it be?
What I didn’t realize was that making a living wasn’t as simple as having the required skills and equipment. There was a whole business side of things — marketing, invoicing, even just getting a website together — that I hadn’t considered.
Five years later, I’ve turned my freelancing career into a business -- complete with an online mailing list and e-books for sale -- and every day I kick myself for not starting sooner.
But I’m a creative person, not a businessman!
Starting a business doesn’t mean that you’ll be putting aside your creative life — it means you’ll have more opportunities to invest in it. Instead of working a low-paying day job, or a full-time position on somebody else’s project, take control of your time and finances.
Many big-name actors and filmmakers are also businessmen, from Ashton Kutcher, who’s become a savvy tech investor, to Francis Ford Coppola, who owns a winery in Napa Valley. If you’re serious about building your acting or film career, you’ll want to be just as serious about developing an income stream to help fund it.
A few years ago, Darwin embarked on a feature-length project that took over a year to shoot. Without any investors or a side business to depend on, he had to rely on his day job — or rather, night job — to pay his actors and for other expenses.
He would spend weekday afternoons in pre-production, head off to his editing gig until midnight, and shoot two or three scenes every weekend. Imagine how much easier it would have been if he’d had a side-business to help cover those expenses!
With First Class Reels, he has exactly that: a business that allows him to hone his skills, connect with other creative folk, and even act as a launching pad for a new project.
Your small business doesn’t have to require a big up-front investment or time commitment. Check out The $100 Startup for some low-cost business ideas, or The Four-Hour Workweek for ways to cut down on the amount of time you spend running your business.
What kind of business? It doesn’t matter.
Whenever my one of my friends tell me that they want to make a documentary or shoot a short film, I always ask them how they’re going to fund it. Grants, they might say. Or Kickstarter.
Why not tie it into a business instead? If your goal is to write and direct horror films, for example, consider starting a horror podcast or subscription box service.
My friends at LootCrate started up a “geek and gamer” subscription box with very little up-front cost. They now have thousands of subscribers, and each month, they put out an original Youtube video related to that month’s theme.
A built-in fan base + steady revenue = creative freedom.
Capitalize on all of your skills
If your first business idea doesn’t take off, try something new. The more ideas you have on the table, the more chances you have of your business becoming a success.
Start a blog. Design T-shirts. Sell prints of your photos. Run a Patreon campaign.
Over at AppSumo, Noah Kagan challenged himself to make $1,000 in 24-hours by starting a jerky delivery business. This Instagram photographer made over $15,000 in a single day selling prints to his followers. Dustin makes science videos for YouTube and earns $3,000 every time he puts up a new one. Your business can be as simple or complex as you want it to be.
Stop waiting for someone else to greenlight your project. Be proactive about building a revenue stream, and you'll never have to depend on industry insiders again.
How about you? Have you tried starting a small business or side-hustle? For more ideas, check out Saul’s e-book, The Lateral Freelancer, which contains dozens of resources for freelancers and entrepreneurs.